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1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 "One" -
right foot to slightly raise and to advance forward on tiptoes.
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According
to this variation,
put one foot
parallel to the other when advancing ahead. It is adapted in Zafak and Café. “One" - slightly raise right foot and to advance forward on tiptoes. "And" - left foot to make sliding change from the tiptoes to entire foot so that the feet would be in 3 straight position. "Two", "And" repeat the movements from "One" -"And". |

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This element is adapted in almost all dances.
"One" -
slightly raise right foot and advance forward on the tiptoes.. |

| Fourth movement - steps with attachment of one foot crosswise behind another foot. It is adapted almost in all dances. |

| Fifth movement - steps with attachment of one foot crosswise behind another foot in a step. it is used mostly in Udj. |

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This variation introduces steps with the attachment of one foot crosswise before another foot in three steps. This step is used in Zygetlate in the circular movements around the dancing area: this movement is performed with slightly bent knees, so that the upper part of the body would remain on the same level without the bouncing.
"And" – raise
left foot and advance forward-to the left. This movement can be made from the left foot.
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"and" "one" "and" "two" "and" "three" "and" |
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Change from the heel to the toe of the foot (l"epe-l'edak"). This movement is adapted in Zygetlate dance and is performed with slightly bent knees.
"And" – place
left foot on low tiptoes, simultaneously raise the right foot with the
slightly lowered
toes.
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Steps 'forward-to the right' and 'forward-to the left' in every two steps. It is adapted in the Udj
"One" - having
slightly turned to the right, raise the right foot and advance it forward - to
the right.
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Ninth movement - steps with the strokes made by each foot. This variation is used in Adygey Tlepechas and Kabardian Tslamey and is performed with slightly bent knees. "One"- Advance right foot on the tiptoes and immediately after that have your left foot with its straightened tiptoes raised by a light stroke. "And" – Advance the left foot forward on the tiptoes and immediately after that have the right foot with straightened tiptoe raised by a light stroke. "Two"- Advance right foot on the tiptoes and immediately after that have the left foot with the straightened tiptoes raised by a light stroke "And"- maintain the pause |

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This dance element is adapted in Adygey Tlepechase and Kabardian Islamey also and is performed with the knees slightly bent down.
“One”- Have a
left foot straightened up. Advance right foot forward on the low tiptoes or on
entire foots (your option) and immediately after that have your straightened
left foot raised forward. |

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